^^^
:) Talk it up friend but I expect to see your summer liquid clip up in June ;)
For cereals though, your hammering home the fact that I'm a different dancer on camera.  Not sure how to change that, other than invite like 100+ people over to my crib on the nights i want to session.

Perhaps I'm a clown without an audience when I record.  Watching this clip again I can definitely tell I was thinking way to much.  It's good to know that I've at least set the bar low!!!

For cereals though, your hammering home the fact that I'm a different dancer on camera.  Not sure how to change that, other than invite like 100+ people over to my crib on the nights i want to session.

Perhaps I'm a clown without an audience when I record.  Watching this clip again I can definitely tell I was thinking way to much.  It's good to know that I've at least set the bar low!!!

   I think your being to hard on yourself. I mean, would you rather be a dancer that looks great on camera and in living room clips, but when people see you out, they are like... "meh, seen better out of him"
 Or a dancer that blows peoples minds when they see you dance in person cause it smashes any footage of you currently on the internet. 

 Because thats what happened to me the first time I saw you in person getting down. I was taken back by your house dancing, popping, and waving, and captivated by your pantomiming & digitz, but but most of all, you have an energy, a visible groove in your dance. Some thing that some of us only catch in spurts, just pours out of you the entire night.
 When you learn to open up your liquid, your gonna be a problem .

http://www.youtube.com/watch?v=MMU6nU7HUZU

Hope I have appeased the liquid gods...I see improvements here and there.  Much happier with this then my first clip and so I leave it to you gentlemen.

dammit i had to type this up twice, too early :)

definite improvement here, more energy, more hand relationship and straiter angles. this track however lol, still demands faster liquid and harder stops than what ur currently doin, dont sweat that tho as any of us would have a hell of a time getting down to this song. i DO have a couple suggestions for you to work on though:

1. threads, my experience with them is that you get the biggest illusion when one part  is moving and the other is perfectly still, think of it in a miming aspect, putting your arm in the box/hole or the box/hole over your arm, if both parts are moving the illusion gets weaker, this is something i havent fully developed with my threads yet but plan to.

2. rewinds, i dont really use them much at all. but from what i observe theres 2 things u should keep in mind about them. they are best when only done once(you do alot in succession). and are best when surrounding a significant/blowup move or atleast at the very end of a movement, you were using them at parts where ur halfway through a movement or on a basic movement.

diggin the clip tho, expecting you to kill it this weekend tho

thanx guys, i'm going to catalog all those critiques n let them re-surface this weekend.  I felt like for some reason i was able to bring a lot more energy into this clip but yeah the track i selected :(  Lesson learned.